The Future of Digital Cameras, According to Filmmaker Magazine

David Leitner of Filmmaker Magazine has published the future of digital cameras, as he sees it.

“A motion picture camera used to be a light-sealed box with a strip of film running through it…. Today’s cameras are exponentially more complex. They are literal bundles of separate technologies, each lurching forward at a different rate. To understand today’s cameras, you must understand the parts to understand the whole.”

He looks at:

  • Pixel Count (4K is here)
  • Sensors (Super 35 with incredible ISO ratings)
  • Lenses (18-200mm with zoom servos)
  • Media (Solid state)
  • Frame Rates (120 to 240 to 480 to 960 for slow motion)
  • Compression and Latitude (H.265 and RAW)
  • Camera Design and Control (bonded cellular, anyone?)
  • Workflow and Post (64-bit and the free DaVinci Resolve Lite)
  • New Cameras in 2013 (including the For-A FT-ONE with 4K capture at 900 fps)

Well worth the long read.

My take: film is dead!

4K consumer TVs are here; bring cash

Well, when I say ‘consumer’ I mean your very, very rich uncle. And you might need a wheelbarrow for all that cash.

Sony has unveiled a $25K television that has four times the resolution of your measly Full HD 1080 flat-screen TV.

The XBR-84X900 4K Ultra HD TV has a native resolution of 3,840 x 2,160 pixels packed into an 84 inch screen. There is virtually no dot crawl! Sony says:

“Sony is a leader in 4K digital cinematography and projection. As of June 2012, there were over 13,000 Sony 4K digital cinema theaters — nearly 75% of all 4K theaters worldwide use Sony 4K digital cinema projectors. And now Sony brings the full 4K digital experience into the home with stunning picture quality, whether you’re watching native 4K video or low-resolution smartphone clips. The newly-developed XCA8-4K chip upscales HD (or lower resolution) images by analyzing and refining images from all sources. Everything you see is restored with beautiful, natural detail, richer color and stunning contrast. The latest Reality Creation database and Super Resolution processing breathes new life into everything you see with phenomenal 4K (3,840 x 2,160) resolution.”

See Sony’s information or visit Atlas Audio Visual in Victoria to see the only model on display in Canada.

Lytro light field camera raises possibilities

At first glance the Lytro light field camera seems underwhelming.

It’s a tiny spyglass camera that takes square 1080 x 1080 photos. And costs $400 to $500. There’s limited control and no video….

But the technology behind it is kinda cool. It captures all the rays of light bouncing off of everything in front of the lens. Which means you can focus later. And change it forever, after freezing the moment in time. Lytro calls these ‘living pictures’.

Here’s how I envision using this camera:

  • Interactive ‘stories’ composed of a series of living photos that tell a narrative. Each image would be carefully designed with two areas of interest and the viewer would ‘pull focus’ from the first to the second.

But four more ideas come to mind, when I push this tech forward:

  1. Imagine when time and mono sound can be added to this mix. The viewer will be able to refocus different areas in the shot as it unfolds over time. This would be a ‘living movie’.
  2. What if enough data could be recorded to allow the viewer to change their point of view within the shot? This would be the ‘living picturescape’.
  3. Imagine a similar device to capture the ‘sound field’. A sound field recorder would work very similarly to the Lytro. It would capture all the sound waves bouncing off of objects in earshot. The user would then be able to navigate through the soundscape, in essence moving the microphone closer to the sound source they want to hear.
  4. Now imagine a combination of both devices: a living movie with a soundscape microphone — what I’m calling the AVscape. Now that’s getting close to true virtual reality!

Play with Lytro images. Click on an out-of-focus area. Neat!