Funding for female filmmakers

As reported at On Screen Manitoba, BravoFACT and BravoFACTUAL will now ensure that 50% of their awards will go to female filmmakers:

“The change is meant to help foster up-and-coming female filmmakers in Canada. In order to qualify as female-lead, a submission must have a director or producer attached who is a woman. In addition, every BravoFACT and BravoFACTUAL jury in 2015 will include a female filmmaker as a guest juror.”

The next deadlines are April 1, 2015 for BravoFACTUAL and June 12, 2015 for BravoFACT.

My take: this is long overdue. Go grab a piece of the pie, sisters! We need to hear your stories more than ever.

7 Steps to financing your first feature for free in Canada

Telefilm recently announced the third version of its excellent two-stage micro-budget feature production contest. I applaud Telefilm for financing 22 features this way and sticking with this program.

Having watched the development of the program over the last three years, here’s my take on how to finance your first feature for free in Canada:

  1. Become a Canadian citizen or landed immigrant.
  2. Join one of the film co-operatives on the Designated Partners list. Consider moving to a cheaper city with less competition.
  3. At the co-op meet a writer member with a feature script you really, really like and want to direct. Convince a producer member to join you two. (By the way, if you can organize a great party AND you can balance your cheque book, consider becoming a Producer — they are in short supply.)
  4. As a trio, make a short film (5-10 minutes) of excerpt scenes from the feature script.
  5. Read this year’s guidelines and get your submission together: second-draft script, budget, marketing plans, pitch video, etc. Telefilm usually announces the Micro-Budget program in October but delayed it until January this year (perhaps due to system changes.)
  6. Submit to your co-op and cross your fingers.
  7. When you’re successful, add the Recommender Letter to your package and submit to Telefilm.

If you’re successful, congratulations! You’ll have $100,000 to $120,000 to make your movie in 12 months and a further three to distribute it digitally.

If you’re not successful, develop a new project and start over. Telefilm will not consider the same project again.

Plus, if you’re not successful at the co-op or Telefilm stages, MAKE THE FILM ANYWAY.

You’re probably asking at least two questions right now:

  1. How can I make the movie when I don’t have the $100K?
  2. How can I ever reapply to the Telefilm Micro-Budget program once I make my first feature?

The answers, as I see it?

  1. The truth is, once you start paying your cast and crew and spending money on renting cameras and equipment, $100K is not enough anyway. If you can entice your co-op buddies and local, non-union actors to collaborate with you on your venture and you use your own or the co-op’s equipment, you’ll actually need much less cash. Maybe $10,000 to $25,000. Find investors or crowd-fund this. You have all the materials you need already!
  2. Telefilm (and CAVCO) calls anything over 74 minutes a feature. If your film looks like a winner, commit to it as your first feature and make it the best possible. If it’s not as great as you wished for your first feature, cut it down to something between 61 and 74 minutes, including credits. That way it will still qualify as a feature at those festivals that use 60 minutes or greater to define features, but it will not be regarded as a feature at Telefilm. This is a case of having your cake and eating it too. You will learn so much by making the film that your next feature pitch will be immeasurably better.

My take: another strategy is to stop waiting to be ‘picked’ and just get on with doing it. As Seth Godin says, the only thing holding you back is your lizard brain.

CineCoup offers $1M plus theatrical release

CineCoup is back!

The film accelerator that brought us Wolf Cop last year has another ‘$1 Million Dollars’ in production funds and a Cineplex Odeon theatrical release up for grabs. Get ready to pitch and work your butts off:

“This time we’re challenging filmmakers to go high concept and create projects that can connect with larger audiences. We’re looking for genre films with franchise potential like action, horror, thriller, sci-fi, and comedy (or documentaries that deal with pop culture tropes such as King of Kong, Indie Game: The Movie, Trekkies, etc.) and we know Canada’s got the good stuff so bring it on!”

Launch your three-person team on Monday, February 9, 2015. After 12 weeks of team challenges beginning in mid-March, at least one project will be greenlit at the Banff World Media Festival in June.

My take: if you have a franchise-ready action, horror, thriller, sci-fi or comedy feature ready to roll AND you have three months free to complete weekly challenges AND you have a large online following AND you like working in public AND you truly believe your concept is the best in the country, then go for it! What do you have to lose?

BravoFACT gets into pitch contests

BravoFACT will be sponsoring two pitch contests at upcoming film events at opposite ends of the country, with two prizes of up to $35,000.

First up is the Victoria Film Festival with a deadline for applications of Friday, January 16 at 5 ET (that’s 2 p.m. in Victoria.) Five finalists will be contacted on Friday, January 30, so they can prepare to give a 10-minute pitch on Friday, February 6.

Next is the WITF-Atlantic’s Women Making Waves Conference with a deadline of Friday, February 5 at 5 ET. Five finalists will be contacted on Friday, February 20, so they can prepare to give a pitch on Saturday, February 28. Note: female applicants only, please.

Send your applications for both Narrative shorts and Documentary shorts to Rachel.feldbloomwood@bellmedia.ca Note: demo reels are not required for these applications.

My take: if you have a script for a narrative film less than 7.5 minutes long or a treatment for a documentary shorter than 15 minutes ready to go and you live anywhere near Victoria or Halifax, you MUST apply. BravoFACT is one of the few sources in Canada for truly independent film production funds. Disclosue: I’ve received two BravoFACT awards; one for my short i luv spam and another for Scott Amos’s Scratch.

Victoria represents at Storyhive!

Following up on my recent post about Storyhive, here’s a list of all the projects from Victoria, B.C.:

Best of luck, everyone!

My take: If you think of projects as stores, these would be funky shops in a fashion-forward mall. Indy films would be independent retailers. TV offerings would be chain stores. Hollywood fare would be big box stores. Ask yourself, where do you like to shop for your entertainment?

$60K up for a web series in BC or Alberta

Storyhive is changing things up and looking for web series for its next round.

Season two is open to creators in Victoria, Vancouver, Calgary and Edmonton. Fifteen teams in each province will receive $10,000 to produce the pilot episode of their web series. One winner will be chosen and receive $50,000 funding for the remaining episodes. Everything gets streamed on TELUS Optik TV On Demand.

The deadline to submit is November 3, 2014. See the FAQ.

My take: this is a derivative of CineCoup, without the on-going missions. I think one of the most interesting aspects of Storyhive is the Creator Directory. This has a great potential to build collaborations between artists.

New International Digital Media Co-Production Guide

‘International Digital Media Co-Production, A Guide for Canadian Companies’ commissioned by Interactive Ontario, is now available on the CMF Trends web site.

The guide is a survey of current best practices with a focus on Australia, France, Germany, New Zealand, United Kingdom and the European Union. It provides a detailed overview of the mediascape in each country and lists various funding sources.

The guide also suggests and discusses ten steps to finding an international partner for digital projects:

  1. Travel to Markets, Festivals and Conferences
  2. Develop Existing Relationships
  3. Look to potential U.S. partners
  4. Pursue distribution contacts
  5. Get help from the Embassies
  6. Don’t rush the relationship
  7. Research stakeholders
  8. Find the money first
  9. Meet producers when they come to Canada
  10. Think about more than money

My take: Thinking globally, acting locally makes sense in the digital realm. This guide illustrates some of the nitty gritty involved in making that a reality.

 

Rooster Teeth sets new high on Indiegogo

Rooster Teeth just concluded the campaign for their first feature-length live action movie, Lazer Team, on Indiegogo, raising almost four times their initial goal.

At less than $20K short of $2,500,000, they’ve set a new record for crowd-funding on Indiegogo.

Over 37,000 contributors pledged an average of $66.15. The most popular perk was the $35 Blu Ray/DVD, claimed by 8,115 contributors. Twenty-seven funders earned various producer credits, donating $172,000.

Ever confident, Rooster Teeth is estimating delivery in March 2015.

Of note, only two film projects on Kickstarter have crowd-funded more: the Veronica Mars Movie Project and Zach Braff’s ‘Wish I Was Here.’

My take: way to go, Rooster Teeth! I remember the first episode of Red vs Blue as very engaging machinima.

UPDATE: Lazer Team still breaking records!

With less than a week to go, Rooster Teeth’s Lazer Team Indiegogo crowd-funding campaign continues to smash records.

They are closing in on $2,000,000 and 300% of their original goal.

This represents over 28,000 backers and an average contribution of approximately $68.

Of note, RT has raised over $142K from 23 people who have earned various producer credits in return.

My take: Rooster Teeth initially decided to make this a Flexible Funding campaign (9% fees,) rather than the riskier Fixed Funding gamble (0%.) No matter, now that they’ve surpassed their goal, the fee for both models is 4%, and Indiegogo stands to make $80K!

Rooster Teeth breaks crowd-funding records!

Rooster Teeth, the creative team behind Red vs Blue, has just set crowd-funding history.

Here’s the scenario:

“In the late 1970’s, the Search For Extraterrestrial Intelligence project received a one time signal from outer space. It looked exactly as theorists thought a communication from an alien civilization would — unfortunately it has never been decoded. Or so we were told. Unbeknownst to the general public the signal was translated and told us two things: 1. We are not alone. 2. The galaxy is a dangerous place. Our story is live action sci-fi comedy that takes place decades later in the aftermath of this event.”

Not bowled over? Well, these numbers certainly are impressive:

The ask: $650K. The project: a theatrical feature production.

The results:

  • $1,000,000 in two days.
  • Over 25,000 contributors.
  • $123,000 from 20 backers, rewarded with producer credits.
  • To date, over $1.7 million with more than 10 days to go!

See their campaign on Indiegogo.

My take: a popular franchise appeals to their fans to finance a very different product, with wildly successful results. Of course, it helps to have over 7.5 million subscribers on your Youtube channel.