Cineplex Board: a present for all Canadians?

As 2019 turns into 2020, the Cineplex Board of Directors has given Canada a present, one that has the potential to change the mediascape into something never seen before: the option to have control over our country’s movie screens.

Recall that Cineplex accepted an offer from the United Kingdom’s Cineworld to buy it for $2.8-billion on December 16, 2019.

It then entered a 7-week “go shop” period in which it can accept better offers until February 2, 2020.

In a nod to nationalism, the Cineplex Board made the terms more advantageous for a Canadian offer by halving the deal termination fee of $56-million.

My modest proposal: let’s add a movie theatre chain to the pipeline the people of Canada already own!

Why control the movie screens in our country? To enforce screen quotas, of course. The reason Canadians don’t see Canadian movies at the local mutiplex is because those theatres would rather show American movies. Embarrassingly, we had to give up our national policy target of a measly 5% of the box office because we missed the mark so badly year after year.

With almost 1,700 screens in 165 locations and approximately 75% of the audience, we could finally see our own stories on the big screen. It’s about time, eh?

It worked for Canadian music on Canadian radio, and it’s called CanCon.

My take: as much as I would love to see this happen, I’m afraid it won’t, if only because the remaining movie theatre operators in Canada will complain that Cineplex CanCon would have the unfair advantage of unlimited (taxpayer) funding. Fine, I say, we’ll buy you out too! Imagine if the people of Canada owned every movie screen in Canada!

U2 shows us the way with live mobile streaming

First Youtube enabled anyone to post moving images to the Internet, democratizing the movies.

Now mobile streaming apps are revolutionizing live broadcasting, once the domain of television.

Having just launched within the last three months, both Meerkat and Periscope enable anyone with a smartphone to stream live video broadcasts in realtime to the world.

Meerkat (IOS and Android) wants you to first log in to Twitter. The left column lists upcoming streams, comments are on the right and the stream is featured vertically in the middle. Meerkat loves the colour yellow.

Periscope (IOS and Adroid) was purchased by Twitter shortly after Meerkat debuted. Comments are superimposed in the bottom left-hand corner, and you can show some ‘love’ with hearts that float up the right side of the vertical screen.

You can search Twitter to find live Meerkat streams or live Periscope streams.

Or, New York digital & social agency, GLOW, offers two ways to sample multiple streams:

Rock band U2 have embraced Meerkat. During the current i+e Tour, according to The Hollywood Reporter,

“The band invites an audience member onto the B stage to shoot a stripped-down number — on this night, ‘Angel of Harlem’ — to be broadcast live via the fledgling Meerkat platform. ‘This goes out across the globe — to about 150 people, until it catches on,’ Bono quipped.”

My take: I think this is truly revolutionary. The ‘airwaves’ for traditional TV broadcasters are strictly controlled by the FCC in America and the CRTC in Canada. Now, everyone with a smartphone has a ‘TV’ camera in their pocket and can begin broadcasting to the world at any time, for free! Journalism and entertainment may never be the same again. Interestingly, both apps use a mobile-friendly vertical orientation, which is decidedly uncinematic.