In order to create a more equitable film industry, on December 14, 2021, Telefilm Canada shared information on its newest phase of data collection enhancements.
Christa Dickenson, Telefilm Canada’s Executive Director and CEO, is quoted:
“Telefilm’s next phase in data collection will work to bring greater insight into Canada’s audiovisual industry, and help us learn more about our film community, their projects, and their needs. We will be able to capture a more accurate portrait of our project pipeline, and address communities that need additional support, training, mentorship and more.”
Data will be collected from directors, writers, producers, co-producers, and executive producers on a voluntary basis and will cover Indigenous identity, racial and ethnic identity, gender identity and expression, belonging to an 2SLGBTQIA+ community, disability status, and belonging to an Official Language Minority Community.
Note that this self-provided “information will be used in evaluation of the creative material, review of the community engagement plan, as well as to evaluate eligibility to certain specific streams.”
Find more details here: Data Collection
For Telefilm’s diversity objectives and identity definitions, see page 7 of the Essential Information Guide
Find a sample survey here: https://telefilm.ca/wp-content/uploads/telefilm-canada-self-identification-questionnaire-december-2021.pdf
The new Self-Identification Questionnaire will be available on January 4, 2022.
Telefilm has done a great job with gender parity over the last five years. See its Gender Action Parity Plan and 2020-2021 results. See its Equity and Representation Action Plan and June 2021 presentation.
My take: with gender parity, we knew the goal was 50/50, or something close to that. But what are the goals for diversity and inclusivity? From Statistics Canada: “Canada is an increasingly diverse country — data from the 2016 Census indicated that 22.3% of the population were designated as belonging to one or more visible minority groups. Through population projections from 2017, Statistics Canada projects that this percentage would rise to between 31.2% and 35.9% by 2036.” So my guesstimate is that Telefilm’s goal would be 1 in 3.